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anonymousAn American in ParisGood view, almost exactly in the centre. No obstructions. Ticket purchased through a $75 promotion.CirclesectionErow20seat
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An American in ParisBeautiful, dead center. I love the loge in this venue. Sit in rows C or D to avoid the bar obstructing your view.LOGE CsectionDrow309seat
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anonymousAn American in ParisWe have the end four seats (22, 24, 26, 28) in row U. Great seats - plenty close to the stage and close to the exit as well.Orchestra RsectionYrow22seat
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An American in ParisThe first thing I noticed about these seats was the lack of leg room. I incorrectly assumed that being in the front row would be spacious, but you are right up against a red curtained wall that separates your legs from the orchestra pit. (See pic) So it's a bit of a tight squeeze but once you're in, you have a fantastic view. If you love seeing set and costume details and facial emotions, the front row is for you. Because you are over to the side, you can see slightly in to the wings, but that didn't prove to be a distraction at all for us. (But I personally like seeing how things work) If you need leg room, I'd suggest going a few seats over and get the first row on the side.Orchestra CsectionArow114-115seat
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anonymousOrchestra CsectionArow110seat
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L MezzsectionDrow2,4,6,8,10seat
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An American in ParisA much better view than I expected from a side orchestra seat. The mezzanine overhang cuts off a bit of the top of the stage, but moving forward any further would have cut into the stage right view. Sound was fine.Orchestra RightsectionSrow6seat
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Lower Balcony 3sectionFrow111seat
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anonymousAn American In ParisOur second seat - 21 - has lots of legroom. The last seat in AA (the first row in the Mezz) ends halfway in front of row A, seat 23MezzaninesectionArow23seat