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VinceND

VinceND has shared 32 photos from 22 venues.

VinceND has received 8 high fives.

  • Stephen Sondheim Theatre, section: Orchestra C, row: D, seat: 108
    & Juliet
    Perfect seat
  • John Golden Theatre, section: Orchestra C, row: C, seat: 107
    Prima Facie
    Great seat for seeing facial expressions
  • Lunt-Fontanne Theatre, section: Orchestra C, row: E, seat: 104
    Sweeney Todd: The Demon Barber Of Fleet Street
    Many things happen on bridge. This is probably a good first row mezz show, but I liked being able to see the expressions.
  • Nederlander Theatre, section: Orchestra C, row: A, seat: 110
    Shucked
    I never complain about leg room, but this is actually VERY cramped. Only shorter folks/kids should sit here. But the view is incredible, so it was ultimately worth it.
  • American Airlines Theatre, section: Orchestra C, row: C, seat: 110
    Fat Ham
    Perfect seat! Even if someone is tall is in front of you, you'll be so close to the stage it doesn't matter.
  • Hudson Theatre, section: Orchestra C, row: D, seat: 112
    A Doll's House
    Probably better to sit one row back, and more to the left of this seat for this show (maybe 5 or seats to the left). Can really see all the expressions this close though.

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  • Gerald Schoenfeld Theatre, section: Orchestra C, row: G, seat: 109
    Life of Pi
    High stage. Floor projections still not too visible, but I don't mind because prefer to see actors' faces up close. I can see why mezzanine is good, but my eyesight is relatively poor.
  • Bernard B. Jacobs Theatre, section: Orchestra C, row: F, seat: 117
    Parade
    I prefer to be closer than this usually, but then you miss the projections in the back, which aren't essential. If you prefer to sit close, the two rows up (and more center) is perfect.
  • Barrymore Theatre, section: Orchestra C, row: C, seat: 111
    The Piano Lesson
    Great seat for the show to see the actors’ expressions. A tiny bit tough to see the stuff upstairs but very minimal scenes up there.
  • August Wilson Theatre, section: Orchestra C, row: D, seat: 108
    Funny girl
    Perfect seat
  • Longacre Theatre, section: Orchestra C, row: C, seat: 105
    Leopoldstadt
    Perfect to see the facial expressions, though hopefully nobody too tall in front of you. You need to tilt your head up to see the projections, but that’s a very minor element of the show.
  • Kimberly Akimbo
    Two rows back is probably better, though you can see Clark's tears this close to the stage!

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  • Lena Horne Theatre, section: Orchestra C, row: C, seat: 107
  • Bernard B. Jacobs Theatre, section: Orchestra C, row: C, seat: 109
    Company
    Perfect!
  • Lyceum Theatre (Broadway), section: Orchestra C, row: D, seat: 104
    A Strange Loop
    Perfect seat, though nobody was seated in front of me.
  • Samuel J. Friedman Theatre, section: Orchestra L, row: E, seat: 109
    How I Learned to Drive
    Perfect seat, but nobody was seated in front of me either. Personally would have preferred two rows in front of me due to my vision.
  • Lena Horne Theatre, section: Orchestra C, row: B, seat: 109
    Six
    Might be nice to be 1 or 2 rows back. But if you're shorter, B109 might be perfect because a taller person in front of you is less of an issue. No complaints really.
  • Studio 54, section: Orchestra C, row: B, seat: 112
    Caroline, Or Change
    Set is not high. A perfect seat for a perfect show.
  • Lunt-Fontanne Theatre, section: Orchestra C, row: D, seat: 104
    TINA: The Tina Turner Musical
    High stage, but only miss the actors' shoes at this seat. Still, 1 row back might be ideal.
  • Barrymore Theatre, section: Orchestra C, row: BB, seat: 107
    Waitress
    Nothing missed here. Second row seat, so even with a tall person in front of you, your view will likely be just fine.
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