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jwright2

jwright2

jwright2 has shared 55 photos from 31 venues.

jwright2 has received 15 high fives.

  • Hudson Theatre, section: Balcony C, row: A, seat: 107
    Plaza Suite
  • New World Stages - Stage 4, section: Orchestra L, row: J, seat: 11
    The Play That Goes Wrong
    With the size of this theatre, there is no bad seat to be found anywhere; but it is really nice to be close to action. Even if your seat is off to the side, you can still see everything going on. Highly recommend this seat.
  • Bernard B. Jacobs Theatre, section: Mezzanine L, row: H, seat: 3
    Company
    This may be close to the back of the mezzanine; but the Jacobs is also a smaller theatre, which means that everything is still in perfect view from this seat. The amount of comfort is also pretty decent. Would sit here again.
  • Music Box Theatre, section: Orchestra C, row: A, seat: 107
    Dear Evan Hansen
    The stage at the Music Box Theatre is a high one, which is why the front row seats are sold as partial view seats; but don’t let that discourage you. Especially with center orchestra seating, the only things you really miss are the performers’ feet. Everything else is still on full display, and it’s so immersive with company members come up to the lip of the stage, especially during “You Will Be Found”. A perfect seat for those seeing “Dear Evan Hansen” on a budget. Would sit here again.
  • Majestic Theatre, section: Orchestra C, row: BB, seat: 106
    The Phantom Of The Opera
    A spectacular seat for an equally spectacular show! With every costume, every set piece and every cast member is close view, you don’t miss a thing and are fully immersed in the show. The stage is also low enough so that you don’t have an aching neck by the end. This seat is also cheaper than a seat two rows back. Bonus: you also get to have the chandelier swinging right over your head when it rises and falls. Would definitely sit here again!
  • Walter Kerr Theatre, section: Mezzanine L, row: F, seat: 23
    Hadestown
    In a smaller theatre like this, you’d be hard-pressed to find a bad seat. The legroom in the mezzanine is a smidge tight, however, especially if you are a taller person; but the view makes it all worth it. The only thing missing from view are the members of the band on the left side of the stage during Act II. Other than that, it’s a mostly unobstructed view. Would sit here again.

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  • Al Hirschfeld Theatre, section: Orchestra C, row: M, seat: 107
    Moulin Rouge
    When it comes to this show in particular, you want the best view possible; and in terms of view, comfort and pricing, it doesn’t get much better than this! A perfect central view with everything on display, a surprisingly close view of the company and a good amount of comfort make this seat worth every penny. Would sit here again!
  • Winter Garden Theatre, section: Mezzanine RC, row: J, seat: 14
    The Music Man
    Don’t let the picture fool you. It may look off to the side, but nothing important is out of view and you are still close enough to see faces. Would sit here again.
  • Lena Horne Theatre, section: Rear Mezzanine LC, row: M, seat: 5
    Six
    Last row of the mezzanine. The view is actually pretty decent from here, with everything on display and facial expressions visible. This seat is also right behind the stairs leading up to the back of the mezzanine; so with no seats in front of you, you have a pretty good amount of legroom. Great seat for someone on a budget. Would sit here again.
  • Gerald Schoenfeld Theatre, section: Mezzanine L, row: A, seat: 23
    Come From Away
    This may be sold as partial view, but as the majority of the show takes place center and downstage, there is nothing particularly important out of view. Great seat for those seeing this incredible show on a budget. Would sit here again.
  • New World Stages - Stage 4, section: Orchestra L, row: D, seat: 1
    The Play That Goes Wrong
    With the size of this theatre, there is no bad seat to be found anywhere; but it is really nice to be close to action. Even if your seat is off to the side, you can still see everything going on. Highly recommend this seat.
  • Gershwin Theatre, section: Orchestra L, row: EE, seat: 9
    Wicked
    This seat is sold as partial view for a reason; but don't let that discourage you from buying it. You can still see 90% of everything going on, and you are in close proximity to the incredible company. Would sit here again.

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  • Studio 54, section: Rear Mezzanine C, row: KK, seat: 206
    Caroline, Or Change
    A bit far from the stage, but everything is still in view. I would bring binoculars if you like a closer view. The legroom and comfort in this seat are fair, but not the best.
  • Nederlander Theatre, section: Mezzanine C, row: J, seat: 106
    The Lehman Trilogy
    This particular seat has mixed legroom; there is more for the right foot than the left foot. The reason being is that this seat is to the immediate right of a ledge in the mezzanine. So the comfort and legroom leave much to be desired. However, the view is perfect. Everything is on full display, including the set, the screen behind it and the cast. Would maybe recommend the row behind this row for a bigger person.
  • Barrymore Theatre, section: Orchestra L, row: A, seat: 9
    Waitress
    Rush ticket. Pretty much all of what happens stage left is out of view; but there is a lot that also happens center stage and stage right, all of which is still visible from here. Plus looking into the wings every once in a while is pretty cool.
  • Booth Theatre, section: Mezzanine C, row: D, seat: 101
    Freestyle Love Supreme
    Got this seat via TodayTix! The Booth Theatre is one of the smallest theatres on Broadway, so wherever you sit in the mezzanine will feel close to the stage, especially center mezzanine. The legroom is fine, the seat is comfortable and the view is perfect. Would sit here again.
  • Lunt-Fontanne Theatre, section: Front Mezzanine C, row: A, seat: 107
    TINA: The Tina Turner Musical
    The legroom is just a tad tight, but the view from this seat more than makes up for it! Everything is perfectly on display from this seat and feels very close to the stage! It’s a wonder that it isn’t sold as a premium seat. Worth the money! Definitely would sit here again!
  • Al Hirschfeld Theatre, section: Orchestra C, row: M, seat: 110
    Moulin Rouge
    Just...WOW!!! This may be Row M; but in this theatre and with this show, it feels more like Row E! Everything thing is in sight, there is no problem from the overhang and everything feels SO CLOSE! You can see everyone's faces perfectly! Well worth the money! Would sit here again!
  • Walter Kerr Theatre, section: Mezzanine R, row: F, seat: 18
    Hadestown
    A phenomenal seat for the price, with everything in sight and no obstructions. The seats in this theatre have pretty restrictive legroom; but the intimacy of the space more than makes up for it.
  • Westside Theatre Upstairs, section: Orchestra C, row: K, seat: 107
    Little Shop of Horrors
    Being an off-Broadway theatre, wherever you sit here is bound to feel close to the action, especially with a show like "Little Shop of Horrors". The legroom is a tad tight, but that is the only con of this seat. Be advised: this is the "splash zone" at the end of the show (wink, wink).
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