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lucario719

lucario719

lucario719 has shared 36 photos from 17 venues.

lucario719 has received 3 high fives.

  • Walt Disney Theatre - Dr. Phillips Center, section: Mezzanine R, row: G, seat: 16
    Jesus Christ Superstar
    Expected some cut off on the right, but had none. A lot of small details in this show so get the best seats you can.
  • King Center for the Performing Arts, section: Orchestra, row: Q, seat: 37
    Waitress
    There is no overhang so all orchestra seats are preferable to the grand tier when it comes to views. But the man in front of me would stretch and clap over his head and block the views. Seats also a little tight.
  • Walt Disney Theatre - Dr. Phillips Center, section: Upper Balcony, row: H, seat: 116
  • Walt Disney Theatre - Dr. Phillips Center, section: Upper Balcony, row: H, seat: 116
    Cats
    Used binoculars to see “close ups” for songs like memory. Can’t argue with the price though.
  • Cherry Lane Theatre, row: A, seat: 7
    Coal Country
    Actors will walk up these stairs. Got this seat for $25 through today tix mobile rush.
  • Cherry Lane Theatre, row: A, seat: 7
    Coal Country
    $25 today tix mobile rush seat. Ended up in the front row. So close I couldn’t get the whole stage in the picture.

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  • Al Hirschfeld Theatre, section: Orchestra L, row: J, seat: 15
    Moulin Rouge
  • Al Hirschfeld Theatre, section: Orchestra L, row: J, seat: 15
    Moulin Rouge
    Sitting next to partial view seats on the left. There is still some obstruction but this seat is full price. The actors block more than the set though.
  • Gershwin Theatre, section: Orchestra L, row: EE, seat: 11
    Wicked
    Partial view, but actors tended to block each other more than the set. Well worth sitting here for cheap.
  • Gershwin Theatre, section: Orchestra L, row: EE, seat: 11
    Wicked
    Partial view, but actors tended to block each other more than the set. Well worth sitting here for cheap.
  • Walter Kerr Theatre, section: Mezzanine R, row: G, seat: 2
    Hadestown
    Had to move a little to see past the handrails, but worth it for the extra leg room.
  • Walter Kerr Theatre, section: Mezzanine R, row: G, seat: 2
    Hadestown
    Had to move a little to see past the handrails, but worth it for the extra leg room.

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  • Richard Rodgers Theatre, section: Rear Mezzanine C, row: G, seat: 108
    Hamilton
    The bar blocked the pit hole, but could lean forward to see past it.
  • Richard Rodgers Theatre, section: Rear Mezzanine C, row: G, seat: 108
    Hamilton
    Bar in front was annoying but it only blocked the pit hole during “Reynolds Pamphlet”. And I could lean forward to look past the pole.
  • Majestic Theatre, section: Orchestra C, row: BB, seat: 105
    The Phantom Of The Opera
    The conductor was in front of us. He actually thanked us for staying through the exit music.
  • Majestic Theatre, section: Orchestra C, row: BB, seat: 105
    The Phantom Of The Opera
    Front row, chandelier flies overhead, can see into pit, pyrotechnics and gunfire up close, well worth it for this show. Just make sure to move your head.
  • Gerald Schoenfeld Theatre, section: Mezzanine R, row: E, seat: 2
    Come From Away
    Perfect seat. Extra leg room on the aisle.
  • Gerald Schoenfeld Theatre, section: Mezzanine R, row: E, seat: 2
    Come From Away
    Perfect seat. Extra leg room on the aisle as well.
  • Barrymore Theatre, section: Rear Mezzanine C, row: A, seat: 107
    Paradise Square
    the very front of the stage is blocked, but not even actor's feet are blocked by it.
  • Bernard B. Jacobs Theatre, section: Mezzanine R, row: E, seat: 16
    Company
    at this seat and further to the side there is view cutoff in some scenes, but I think the cutoff on this side is better than the other as there you might lose actual scene information, here just some entrances get blocked.
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